Not far from the entrance, on the left, was a sort of screen, or partition-wall, reaching from the floor to the ceiling, formed of thick oaken planks riveted together by iron bolts, and studded with broad-headed nails. “I only use the weeniest little dab of rouge,” she declared, “and it is really necessary, because I want to get rid of the ‘pallor effect. . . . The Cantonese, excepting in the shops where he expects profit, always resents the intrusion of the fan-quei—foreign devil.
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