Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. She was saying good-bye to childhood and home, and her making; she was going out into the great, multitudinous world; this time there would be no returning. “The young lady, I presume, told you that her name was Anna,” he remarked.
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