“For nothing, do you call it?” he declared. ’ He moved to his friend and grasped his hand in a gesture as deliberately dramatic as the storytelling of mademoiselle. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. It was an awful moment—so awful, that every other feeling except deep interest in the scene seemed suspended. “What you have done. . No wonder that Trenchard, as he gazed at this fearful being, should have some misgivings cross him.
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