The chamber, into which he stole, like all carpenters' workshops, was crowded with the implements and materials of that ancient and honourable art. “Annabel at last,” he shouted. If only one might open the shutters and let in the light. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible. It was a moment of breathless interest to all engaged in the attempt.
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