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About this time,—namely, in November, 1703— while young Trenchard was in Lancashire, and his sister in London, on a visit, he received a certain communication from his confidential servant, Davies, which, at once, destroyed his hopes. She had never been to the opera before except as one of a congested mass of people in the cheaper seats, and with backs and heads and women’s hats for the frame of the spectacle; there was by contrast a fine large sense of space and ease in her present position. She liked the high, easy swing of the thing over its big wheels, the quick clatter-patter of the horse, the passage of the teeming streets.
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