‘I don’t want that girl running her head into any more danger. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded. She stuffed her violin in its case and rushed into the hallway towards John, who stood outside of 118 with his arms crossed. He seemed to have shrunken in his seat. .
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