Then she looked at her aunt, and traced with a curious eye the careful arrangement of her hair, her sharp nose, the little drooping lines of mouth and chin and cheek. When younger, and in better health, she must have been eminently lovely; and there were still the remains of great beauty about her. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ‘Lord in heaven, did I do that?’ exclaimed Gerald remorsefully.
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