But no matter how you phrase it, the end is the same. "Surely," he added, staring at Rowland, "either I'm greatly mistaken, or it is—" "You are not mistaken, Baptist," returned Rowland with a gesture of silence; "it is your old friend. His ideas about girls and women were of a sentimental and modest quality; they were creatures, he thought, either too bad for a modern vocabulary, and then frequently most undesirably desirable, or too pure and good for life. Get on, do. Ann Veronica had had some training at the Tredgold College in disentangling threads from confused statements, and she had a curious persuasion that in all this fluent muddle there was something—something real, something that signified.
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